Varieties of Musical Dissonance

One of the fascinating things about music history is how people have gradually over the centuries changed in how dissonance is regarded. From the position that all dissonance was bad and even evil, to the twentieth century view that dissonance can be beautiful, we have accepted and embraced more and more dissonance in our art … Continue reading Varieties of Musical Dissonance

A Tale of Two Temperings

In our well-tempered musical culture, all musical keys tend to sound the same, except for being higher or lower. Yet throughout the eighteenth and nineteenth centuries, composers enjoyed the rich and expressive variety in the way different keys sounded. Rousseau described D major as being suited for “gaiety or brilliance,” Schumann spoke of C major … Continue reading A Tale of Two Temperings