I recently became acquainted with the word, “dramaturgy.” The context in which I found the word was an article discussing the teaching of dramatization to music voice students on a path to learning opera singing. The writer argued that by comprehensively studying a whole opera, including musical, historical, compositional, and biographical aspects, and not just … Continue reading What Is A Dramaturg and What Does It Have To Do with Music?
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How Can The Future Be The Present? A Strategy for the Music Classroom
Probably everyone knows that the present is not the same as the future. The present can be seen, and is occurring now. The future has not yet occurred, but will occur. You are reading this word now, but will be reading my next sentence in the future. You don’t know what my next sentence will … Continue reading How Can The Future Be The Present? A Strategy for the Music Classroom
How Are Balance Problems in Music Remedied?
Whether you’re a band, orchestra or choir director, or a musician in one of these ensembles, you have probably had to deal with the problem of having too few basses in your ensemble. There never seems to be enough players for tubas and double basses, nor do their ever seem to be enough boys to … Continue reading How Are Balance Problems in Music Remedied?
What Is A Music Conductor?
Today I would like to explore conductors. Not the kind that drives a train, or the kind that carries electricity, though both have similarities to my topic. No, the conductor I want to explore is the kind that stands in front of a symphony orchestra, or wind ensemble, or choir. At first glance, it appears … Continue reading What Is A Music Conductor?
Connecting–The Contextualization of Music Education
We all have musical interests, knowledge and skills. Some of each we gain from exposure to music, through a process of enculturation in which we learn from experience the structures and expressions of our own culture’s music, and to a lesser extent, of others’ cultures with which we are brought into contact. All of the … Continue reading Connecting–The Contextualization of Music Education
What Does A Classroom Where Everyone is Teaching and Learning Look Like? (Creating Music, Part 1)
Today, using the American National Core Arts Standards for music, I will begin to develop how to design learning environments that allow for bi-directional flow of ideas and knowledge between students, and between students and teacher. I will use the artistic process of creating, and the grade levels of 3-5 in American public schools. The … Continue reading What Does A Classroom Where Everyone is Teaching and Learning Look Like? (Creating Music, Part 1)
Are Teaching and Learning Really That Different?
Often when reading educational theories, I find the phrase “teaching and learning.” Typing the phrase into a popular search engine yielded 113,000,000 results. In general, understanding is seen as the goal, and teaching is seen as the actions leading to that goal. In their seminal work “Understanding by Design,” Wiggins & McTighe explained a concept … Continue reading Are Teaching and Learning Really That Different?
Is Melody Always Music?
In my post on June 26, I defined melody as a sequence of tones, each of which has pitch and duration. We saw that melody did not have to have beat, rhythm, meter or tonality, just pitch and duration. I ended that post by suggesting that birdsong qualifies as melody, but questioned whether or not … Continue reading Is Melody Always Music?
What Is The Most Effective Way To Teach Rhythm?
Yesterday, I discussed rhythm, defining a rhythm as a group of durations that establishes beat and meter. Once beat and meter are established, then any single duration can be considered a rhythm, because its beat and metric functions are known. Because rhythm needs a beat and metric contextual basis, music teachers should avoid teaching rhythm … Continue reading What Is The Most Effective Way To Teach Rhythm?
What Is Rhythm?
Rhythm, though one of the two most basic elements of music (the other being pitch), is also one of the most often misunderstood. Rhythm is frequently presented to students in the form of a hierarchy of note types, with a whole note at the top, two half notes beneath, four quarter notes below them, and … Continue reading What Is Rhythm?
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