One of the pitfalls of doing anything over a long period of time, is that we can wake up one day and realize we've forgotten why we do what we do. We've been doing it for so long, it has become a habit, a lifestyle, a part of who we are. Chances are those of … Continue reading Why Do We Make Music?
music composition
The Versatility of Tic-Tac-Toe
When I was a kid, I like playing tic-tac-toe. It's an easy game to play and almost every child knows how to play. With a little creativity, it can become a useful and versatile teaching tool in the music classroom. I like to use it periodically as a fun way to give my students practice … Continue reading The Versatility of Tic-Tac-Toe
Improvising With Tonal Patterns
Music is constructed with patterns of pitches and rhythms. As we have seen over the last two weeks, we begin to learn these patterns aurally from birth and even before. Aural learning continues into the school age years, and is necessary before music reading and writing can be taught effectively. Not only are the raw … Continue reading Improvising With Tonal Patterns
Dispelling the Wrong Note Fallacy
If you've ever written a thesis, book or even a blog post, you probably know that just the right words don't always just come flowing out of your brain onto the screen or page. Case in point, I have already deleted one word and replaced it with another in just these two opening sentences. The … Continue reading Dispelling the Wrong Note Fallacy
Connecting Students to Composing Music
Given the choice, I'm sure I would learn more about music in a class that featured musical genres I liked and that I was familiar with. It is a solid principle of teaching that new concepts should be taught within a familiar context. Introducing new music and a new concept at the same time is … Continue reading Connecting Students to Composing Music
Why New Opera Is Such a Hard Sell
My post today is a sort of companion piece to the one from yesterday. Then, I discussed building familiarity at an early age in order to establish a preference for classical music, and other genres. The same principle of familiarity applies to opera.As I mentioned yesterday, everyone loves a good story, especially if it is … Continue reading Why New Opera Is Such a Hard Sell
The Real Issue Behind Rewarding Students
Motivation results from knowing what you goal is and finding value or enjoyment in meeting that goal. The less value or enjoyment that is found in a goal, the less motivated a person will be to work at achieving the goal. In such instances, in order for the goal to be met, unrelated incentives need … Continue reading The Real Issue Behind Rewarding Students
A Multi-sensory Approach to Teaching Music
I’d like to start today by making two observations about learning. First, learning is a life-long process. Second, learning is multi-sensory. These two observations are related, and highly relevant to music education. Let me explain why. Learning is not restricted to what students do while they are in a classroom in school. We humans begin … Continue reading A Multi-sensory Approach to Teaching Music
A Small Refresher in Musical Terms
Unless I make an effort to read scores, there are some musical terms that I am apt to forget because either I just don’t come across them that often in music I am apt to be teaching to my students, or because the definition has become distorted by common misuse. Today, I thought it would … Continue reading A Small Refresher in Musical Terms
Expressive Intent and Student Opinion
Expressive intent is an important element in the new core arts standards for music. Under the standards, students determine the expressive intent of the composer, and how the composer uses musical elements to achieve that intent. Students also determine how they will use musical elements to express both the composer's and their own intent. When … Continue reading Expressive Intent and Student Opinion
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