Teaching children to read music can be challenging, particularly if formal instruction in it is not started until the children are 9 or 10 years old. Elsewhere, I have written about the importance of teaching "sound before sight" when teaching students to read music. Like language, musical patterns must be learned aurally and orally before … Continue reading Overcoming Confusion When Teaching Music Reading
Robert Adams
The Tricky Business of Musical Potential
I've heard it said by educators many times over the years that we are in the business of helping our students develop to their full potential. This sounds like a noble goal, and indeed it is. But what is a student’s full potential? How do we know when a student has achieved as much as … Continue reading The Tricky Business of Musical Potential
Performing Music Alone–Why It’s Important
Recently, I wrote a post on lesson planning. In it I laid out a three-part method of teaching: the teacher does, the students do with the teacher, and the students do independently. The first two steps are part of the teaching cycle, the last step is an opportunity for the student to show what they … Continue reading Performing Music Alone–Why It’s Important
Music Teacher Talk
Blog April 21 2014 At times I have to remind students, particularly the older ones, to stop talking to each other in class. Students are highly social people, and they have to practice resisting the urge to to use their words to socialize. But it is also true that there are times when I talk … Continue reading Music Teacher Talk
Why Music is More Than Fun
Amidst the process of teaching and practicing musical works and concepts, it is worthwhile from time to time to remember why music is important to our lives. We who are music teachers enjoy teaching music, and our students have fun in our classes and ensembles, but it is important that music classes and rehearsals be more … Continue reading Why Music is More Than Fun
Update on my Switch to Fixed Do
Last month, I wrote about using fixed do solfege in my music classes (Another Try At Fixed Do). At that time, I reported early success with fifth and second grade students sight singing using the fixed do system. Since then, I have continued to be pleased with the results, and do not at this point … Continue reading Update on my Switch to Fixed Do
The Basics of Lesson Planning
Lesson planning is one of the most important things teachers do. Many methods and formats for lesson planning have circulated within teacher preparation programs and professional development seminars. Today, I’d like to reduce them down to the most essential points, and show you how I go about planning my music lessons. The best place to … Continue reading The Basics of Lesson Planning
Early Childhood and Learning How To Sing
Two years ago, a music education major in his senior year spent two weeks observing me teach, and trial teaching my students. Over the course of those two weeks, he expressed his surprise at how well my first graders could hold pitch and sing in tune. According to what he had been taught, they shouldn’t … Continue reading Early Childhood and Learning How To Sing
What Does Music Mean–Revisiting Bernstein’s Lecture
In 1958, Leonard Bernstein gave a Young Peoples Concert entitled “What Does Music Mean?” In it, he said that music doesn’t mean anything in the ways language does, but instead means what it is. Today, I will take up the matter of musical meaning, restricting myself to developing Bernstein’s points, and avoiding deeper aesthetic and … Continue reading What Does Music Mean–Revisiting Bernstein’s Lecture
Music and Literacy–The Backbone of Musicianship
In my last post, I discussed the meaning of musicianship. Certainly, part of what goes into musicianship is the part of music literacy that is the generating of musical ideas. Literacy of any kind does not only include reading and writing, but also creating ideas and communicating them to others. In music, improvisers do this … Continue reading Music and Literacy–The Backbone of Musicianship
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