Why Teach Instruments in General Music?

From the outset, I want to assure all of you who are Orff teachers that I am not going to oppose children playing instruments in general music. My students play recorders, barred instruments, and non-pitched instruments, and I understand the value in teaching all of them, In fact, that is what I want to discuss … Continue reading Why Teach Instruments in General Music?

How It All Works Together

When you teach a child to play an instrument, what is the goal of doing so? This may seem like an odd question, because we are inclined to answer that the goal is to lead the child in gaining proficiency on the instrument. There is nothing wrong with this goal; it can be defined, growth … Continue reading How It All Works Together

Pitfalls and Remedies to Teaching Instrumental Music

Learning to play a musical instrument is one of life's joys and one that many children enjoy, and many adults wish they had taken advantage of when they had the chance in school. Beyond the enjoyment of playing music, learning an instrument is also an excellent way to learn most musical concepts. For example, students … Continue reading Pitfalls and Remedies to Teaching Instrumental Music

Why Do We Have Students Play Musical Instruments?

Today, I want us to think about a question that most of us have either overlooked or taken for granted. I want to explore why we teach people to play musical instruments. This is a deceptively important question, because how we answer it affects everything we do with our instrumental students; it affects what we … Continue reading Why Do We Have Students Play Musical Instruments?

Why Doesn’t That Reed Play Well?

Not all reeds are created equal. Reeds are often of inconsistent quality, and many do not play well enough to be of use. With this in mind, and assuming that you do not have the time to make your own single reeds, here are some ways you can improve the way you select and place … Continue reading Why Doesn’t That Reed Play Well?

A Review of Rhythm Counting Systems

Previously, I wrote about rhythm syllable systems. Like solfege, rhythm syllables provide a singable word to verbally associate with the audited sound. I reviewed rhythm syllable systems for Kodaly and Orff oriented classes, as well as French, Gordon, and tamarin I systems. Today I will discuss rhythm counting systems. These differ from syllable systems in that … Continue reading A Review of Rhythm Counting Systems