We all need to be connected. Our humanity demands that we make sense of our lives, and our environment, and the only way that can happen is if what we are seeing, hearing, touching, tasting, and smelling can be connected with something we know. When this happens, the world at that moment makes sense, and … Continue reading Music Class and A Student’s Life
expressive intent
Expressive Intent and Student Opinion
Expressive intent is an important element in the new core arts standards for music. Under the standards, students determine the expressive intent of the composer, and how the composer uses musical elements to achieve that intent. Students also determine how they will use musical elements to express both the composer's and their own intent. When … Continue reading Expressive Intent and Student Opinion
Poetry and Music: Steps to Composing
Much like a writer of prose, a poet or a composer ought to have an intent in mind when writing a poem or musical work, respectively. The use of language in a poem can be quite expressive, going beyond the literal meaning of prose, and the notes in a musical work are always expressive because … Continue reading Poetry and Music: Steps to Composing
What Is Musical Ability?
What is musical ability? This question is not as easy to answer as first appears. It is tempting to define musical ability in terms of performance skills, and those are typically made manifest in public performances. Restricting a definition of musical ability to performance excludes non-performance musical behaviors, or musical behaviors that are needed to … Continue reading What Is Musical Ability?
How To Use The Core Arts Standards To Teach Students to Interpret, Evaluate, and Rehearse
Over the last two days, we have looked at teaching students to select and analyze musical works they intend to perform. Through selecting, students learn about the music and reflect on their own interests and skills. Through analyzing, students learn how the music is put together; how it works. With this information in hand, the … Continue reading How To Use The Core Arts Standards To Teach Students to Interpret, Evaluate, and Rehearse
What Is A Music Conductor?
Today I would like to explore conductors. Not the kind that drives a train, or the kind that carries electricity, though both have similarities to my topic. No, the conductor I want to explore is the kind that stands in front of a symphony orchestra, or wind ensemble, or choir. At first glance, it appears … Continue reading What Is A Music Conductor?
Is Melody Always Music?
In my post on June 26, I defined melody as a sequence of tones, each of which has pitch and duration. We saw that melody did not have to have beat, rhythm, meter or tonality, just pitch and duration. I ended that post by suggesting that birdsong qualifies as melody, but questioned whether or not … Continue reading Is Melody Always Music?
What’s Your Interpretation?
Yesterday, I discussed creativity in the music classroom. When children perform music, and when I say perform I include practice, rehearsal, and concertizing, they need freedom to explore the interpretive possibilities before them. I think it is an unfortunate result of our pre-service training and perhaps also of our experience playing and singing under some … Continue reading What’s Your Interpretation?
mister a music place 
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