Music theory is an area of music education that can easily get out of hand. We own much of our knowledge of music, particularly Western art music, to the scholarship of music theorists, and my study of music theory in college provided me with enough knowledge to enjoy listening to, performing, and even composing music … Continue reading Where Does Music Theory Fit In?
Music Education
A practical guide to planning, teaching, and assessing music instruction.
The Difficulty with Once-A-Week Classes
Perhaps one of the most challenging aspects of being a music teacher is dealing with only seeing each student for one forty-five minute period per week. The difficulty in this is that so much can be forgotten in the week that transpires between class meetings. While overlapping some review from day to day is nearly … Continue reading The Difficulty with Once-A-Week Classes
A Way to Differentiation in the Music Classroom
Differentiation is one of the more important methods facing teachers today. With a diversity among students that is greater than ever, meeting individual student needs within a single classroom can be challenging. Some of the challenge of differentiation can be eased by structuring the learning environment so that students develop skills to be independent learners. … Continue reading A Way to Differentiation in the Music Classroom
Two Questions Every Student Asks and What To Do About Them
I find that there are two critical questions that most students ask themselves at the beginning of my music classes. One is, “can I do this?” and the other, “is this going to be worth my time and effort to succeed at?” Many students would rather not try than for it to be seen that … Continue reading Two Questions Every Student Asks and What To Do About Them
Ways of Developing Audiation Skills in Music Classes
Audiation is hearing and comprehending music for which the sound is no longer or may never have been present. Audiation occurs when we anticipate what will come next while listening to music, anticipate what music we are reading will sound like while performing from notation, think of what we will play next when playing “by … Continue reading Ways of Developing Audiation Skills in Music Classes
Why Are Some Ensembles Good and Others Great?
Yesterday afternoon, I watched the annual Mum Festival Parade in my home city. I enjoy going to local parades, because there are always four really good marching bands that perform. They were all at the parade yesterday, and none of them let me down, but one impressed me for a reason I hadn’t thought about … Continue reading Why Are Some Ensembles Good and Others Great?
What Is Musical Ability?
What is musical ability? This question is not as easy to answer as first appears. It is tempting to define musical ability in terms of performance skills, and those are typically made manifest in public performances. Restricting a definition of musical ability to performance excludes non-performance musical behaviors, or musical behaviors that are needed to … Continue reading What Is Musical Ability?
What Can You Do With A Free Piano Keyboard App?
For several years, I have wanted a piano lab in my general music classroom for my seventh and eighth grade students. Many of them want to play piano, and with just one acoustic instrument, I just don’t have the resources to teach many of them, and certainly not during a class with only one instrument. … Continue reading What Can You Do With A Free Piano Keyboard App?
The Tension Between Expediency and Rigor
Realizing that the world isn’t perfect, and that music directors sometimes do things they feel they have to do but don’t really want to do, I thought it would be useful to explore the tension that often exists between expedient and rigorous. First, I should define my terms. Expedient is training an ensemble to play … Continue reading The Tension Between Expediency and Rigor
Responding to Music in the Core Arts Standards and Beyond
Responding to music has been among our music standards from the beginning of the first standards. In its original context, responding was primarily a standard for non-performing students, and was most utilized in music appreciation classes, or listening units in general music sections. As it is now presented in the Core Arts Standards for music, … Continue reading Responding to Music in the Core Arts Standards and Beyond
mister a music place 
You must be logged in to post a comment.