Imagine you are going to build a deck for your home. We've all heard the adage, "measure twice, cut once." So you take out your measuring tool, and measure out your lumber. But in my example, there's a catch. Your measuring tool only has feet marked on it. You need a piece cut to 7 … Continue reading Restoring the Practice of Subdivision
When I was a high school student, I was sure I knew what dissonance in music was. If it sounded wrong, it was dissonant, and if it sounded right, it was consonant. An interval of a 2nd, or a try tone, or a seventh was dissonant, and all the others were consonant. Then in college, … Continue reading What Is Musical Dissonance?
Today I would like to discuss expectations, but not the usual sort. Often, when expectations in education are discussed, they are the kind teachers have of students. These may be behavior or performance expectations, and both are important. There is, though, another sort of expectation that is embedded in the how successfully people perceive and … Continue reading The Other Expectations
I am by nature a very thoughtful person. People who know me well frequently accuse me of overthinking many things, and I have to admit that they are right--I do overthink often. As someone almost constantly in conscious thought about something, there are many thought that come and go, forgotten as quickly as they arrived, … Continue reading The Thing About Learning
In this, the centennial anniversary of Leonard Bernstein's birth, all sorts of things that this American musical icon did are being brought out into the public consciousness. Of course, most know of Bernstein's work as a conductor, composer and teacher, what with his numerous recordings, lectures, young peoples concerts and musical compositions. Of all that … Continue reading Artful Learning
Dr. James Comer of Yale University has found six pathways along which children develop. These pathways are described as physical, cognitive, language, social, ethical, and psychological. While music education clearly has ties to all six pathways, I would like to focus in on two of them: cognitive and psychological. The Cognitive Pathway and Music The … Continue reading Child Development and Music Education
Tempo is a deceptively tricky musical concept. On the face of it, it seems straight forward enough. Tempo is measured as the number of beats occurring in one minute given a steady rate, and that beat can be equal to any note duration, such as eighth, quarter, half, or whole note. There are tempo markings … Continue reading Can rhythms be fast?
No matter what method you use to teach music, be it Kodaly, Orff, or any other, when it comes to music reading there are certain aspects of our music notational system that are counter-intuitive and confusing to students who are just beginning. One of those difficulties is often the irrelevance of how the notes are … Continue reading Toccata Blocks: A Tool To Help Teach Rhythm
Let's say you want your children to pass an object in time to the beat around a circle while chanting a rhyme to that beat with the correct rhythms. There are several competencies enfolded into that one objective. You want your children to be able to pass an object around a circle, you want them … Continue reading Working from an Objective to a Lesson Plan
In order to work effectively with Bloom's Revised Taxonomy, we must understand two dimensions of learning: cognitive process, and knowledge. Cognitive process describes what thought task a learner is performing on a given text or focus. These include, in order of complexity from simple to complex, remembering, understanding, applying, analyzing, evaluating, and creating. Of these, … Continue reading More On Bloom’s Revised Taxonomy