Music advocates, and who isn’t one that reads this blog, are sometimes like that child in a class that always strenuously raises their hand—“ooh, ooh, ooh, call on me, call on me,” but is rarely called on because either that child is always answering questions, not giving anyone else a chance to answer and learn, … Continue reading A Different Kind of Music Advocacy
At times, music notation can be confusing. Even for highly trained musicians, certain aspects of music notation requires them to pause and investigate how a particular rhythmic grouping should be performed. This is particularly true with rhythmic groupings known as tuplets. All tuplets are mathematical ratios. The first number in the ratio is the number … Continue reading Tuplets Explained
What makes a melody beautiful? I’m intentionally not asking what makes music beautiful, because there are many different kinds of music and with them, different kinds of beauty. But the beautiful melody is much more likely to transcend genres; it’s properties are more universal, so it seems most tenable to ask, “what makes a melody … Continue reading What Makes A Melody Beautiful?
I have written elsewhere in this blog, and most educators agree, that the best learning takes place when instruction is, among other things, planned, intentional, and measurable. One of the most useful models for planning instruction is Understanding by Design (UbD). One of the authors, Jay McTighe, explains UbD in this video. In this article, … Continue reading Designing Instruction for Effective Teaching and Learning
Have you ever said, in the middle of a bad day, "I can't get out of my own way?" In situations like that, it seems the harder we try to get on track, the worse it gets. The more effort we expend, the worse are the outcomes. Then there are other days when everything seems … Continue reading Natural Learning
Chorus in many ways is the perfect means for providig music making opportunities to non-musicians. After all, except in rare cases, we all have voices and we all can use those voices to sing. Actual inability to sing in tune is extremely rare, and most people in a safe environment free from judgement and negative … Continue reading Rethinking How We Teach Chorus
Many of our students, and, truth be told, many of us as well, struggle at least from time to time at singing in tune. There can be any one or more of several factors contributing to the difficulty. It may be poor phonation which makes it more difficult to hear ourselves singing, it could be … Continue reading Toward More In Tune Singing
In music, the term "modulation" is most frequently used to refer to a shift in keyality. One speaks of modulating from the tonic to the dominant, and, at least in traditional harmony, using a pivot chord to achieve the modulation; that is, a chord that assumes a duel role of one function in the current … Continue reading What Is A Metric Modulation?
Structure and form are two words that surface frequently in music analysis and education. Two words should be associated with two different concepts, but these two are frequently used interchangeably. But are they really the same? I maintain that they are not; that there are important differences between their meanings, and today I will discuss … Continue reading Structure and Form: What’s The Difference?
I'm fairly certain we can agree that music conveys, expresses or evokes feelings and emotions. We've all experienced mood and emotional change while listening to music, and the relaxing or exciting effect music has not only on our emotions, but our bodies too as our heart rate increases, and we physically respond to music to … Continue reading Music Is Becoming More Relevant Than Ever