Ways of Developing Audiation Skills in Music Classes

Audiation is hearing and comprehending music for which the sound is no longer or may never have been present. Audiation occurs when we anticipate what will come next while listening to music, anticipate what music we are reading will sound like while performing from notation, think of what we will play next when playing “by … Continue reading Ways of Developing Audiation Skills in Music Classes

Philosophical Musings on Art and Music

What do humans do? What are we made for? If we look at our educational institutions, we would conclude that we think and reason in words and formulas, create works of art that utilize mathematical relationships and perhaps words, but which express emotions and feelings, figure out how things work through scientific inquiry, and design … Continue reading Philosophical Musings on Art and Music

Two Realms of Childhood

The Core Arts Standards for Music specify standard and/or iconic notation for planning and making musical works, but do not mention using notation of any kind for responding to music. This may be an attempt to keep responding to music accessible to students who have limited music reading skills, but avoids an opportunity to build … Continue reading Two Realms of Childhood

What Is Music Literacy?

What is literacy? The word is used across all disciplines, including music, yet I find a surprising range of understandings of just what literacy is. Does literacy refer to just reading? Does it include writing? Must someone be an effective communicator orally in order to be considered literate? Is there any requirement for being able … Continue reading What Is Music Literacy?

Is There Madness in the Method?

Music teachers are often concerned with method. If you go to most music education conferences, you’ll find sessions on the Kodaly Method, the Dalcroze Method, Gordon Music Learning Theory, the Orff Method, Feierabend’s Conversational Solfege, the Suzuki Method, to name a few. Music teaching methods are like Protestant denominations: there are many of them, they … Continue reading Is There Madness in the Method?

A Better Way To Teach Rhythm

I have noticed that there is a great deal of interest in how best to teach rhythm. Perhaps this reveals challenges that music teachers find in teaching rhythm, made manifest in students’ difficulty in performing rhythms accurately. While I cannot know what transpires in every music classroom, I can at least address problems I have … Continue reading A Better Way To Teach Rhythm

How Do Language and Music Mix in the Music Classroom?

As we saw yesterday with rhythm, language and music are closely related so that training in one strengthens proficiency in the other. Although language and music differ in form, purpose, and use, both are highly syntax-dependent. Neither music nor language makes sense if the sounds heard cannot be cognitively organized, and if meaning cannot be … Continue reading How Do Language and Music Mix in the Music Classroom?

How Do Math and Music Mix in a Music Classroom?

Most people I know, both teachers and non-teachers, musicians and non-musicians, believe that students use a lot of math concepts when making music. In the current environment created by core curriculum state standards, this belief can easily lead to the desire for music teachers to explicitly teach, or at the very least reinforce math concepts … Continue reading How Do Math and Music Mix in a Music Classroom?

A Realistic Look at the Mozart Effect

Much has been made, and continues to be made, of the benefits of music education beyond developing musical expertise. I have touched on some of these benefits in past posts. While I am as eager as the next music educator to trumpet the virtues of musical training, I have also tried to be objectively cautious … Continue reading A Realistic Look at the Mozart Effect

What Can L.A. and Math Teachers Learn from Music Teachers About Practice?

It is always good to read that researchers have found ways in which music benefits brain development, spatial reasoning, language acquisition, and other areas of learning. Such studies have often been sited by music education advocates in defense of maintaining or even expanding music programs in schools. Work has also been done on integrating common … Continue reading What Can L.A. and Math Teachers Learn from Music Teachers About Practice?