The Difference Between Visual Meter and Aural Meter in Music

Of all the structures and elements of music, meter is arguably one the most confusing. This is due at least in part to the fact that unlike rhythm and pitch, and to a lesser extent unlike dynamics and tempo, our Western system of music notation is often vague or imprecise when it comes to representing … Continue reading The Difference Between Visual Meter and Aural Meter in Music

Music Education and Self-Directed Learning

Many of us music educators have, over the years, spent a good deal of time advocating for music education. It can seem to us that at every turn, our programs are in danger of being scaled back or eliminated in the name of raising academic achievement--a strategy we know is ill-advised and contrary to an … Continue reading Music Education and Self-Directed Learning

March Madness in Education

In many ways, teaching from March to June is the most challenging time of the year. It is the period in which students are overwhelmed with state mandated testing in the wake of NCLB, the period in which students and teachers tend to be burdened with colds and flu, and the period in which teachers … Continue reading March Madness in Education

Artistic Choices

How do musicians make artistic choices? This is an essential question that should be at the center of our music lessons. Too often, the answer to this question is a secret kept by music teachers from their students. The music director makes all the choices, and then instructs the students to play or sing this way … Continue reading Artistic Choices

Practicing Improvisation

This week, a colleague was reading a unit plan I was working on, and noticed the phrase "practice improvisation." She immediately pointed out to me that improvisation can't be practiced, and to put those two words together makes an oxymoron. I was not convinced and still am not convinced that this is so. What is … Continue reading Practicing Improvisation

It’s Music Festival Season–Which One Should You Choose?

If you're a director of a school music ensemble, then you are now heading into festival and contest season. There are plenty of music festivals vying for your business. Most are good to excellent and offer something valuable (besides a ribbon or trophy) for you and your students to take home with you. With all … Continue reading It’s Music Festival Season–Which One Should You Choose?

Why Do Essential Questions Improve Music Teaching and Learning?

In my school district, the objective at the top of each lesson plan, and the objective must begin with the phrase "students will be able to." The idea is to state an objective in terms of what I want the students to know and do as a result of the lesson. This is a helpful way … Continue reading Why Do Essential Questions Improve Music Teaching and Learning?

A Learning Sequence for Music Rehearsals

Beginning rehearsal on a new musical work is always a mixed bag for me. On the one hand, it is exciting to begin a new piece, and I look forward to starting work on it, foreseeing the day when my ensemble arrives at the point where the audiated performance in my imagination meets or exceeds … Continue reading A Learning Sequence for Music Rehearsals

Strengths and Weaknesses of Orff Schulwerk

Today I will discuss the advantage and disadvantages of the Orff Schulwerk Approach to music education. At the outset, I should mention that no single method of teaching music is sufficient for meeting the needs of all children, or for teaching all aspects of music. Each method bring valuable perspectives into the music classroom, and … Continue reading Strengths and Weaknesses of Orff Schulwerk

Staying Focused as a Music Teacher

If there is one thing that I don't like about being a music teacher, it is this: I only see my students once a week for forty-five minutes. The problem with this is that over the course of an entire school year, I see my classes a maximum of forty times. That's as many times … Continue reading Staying Focused as a Music Teacher