Two Questions Every Student Asks and What To Do About Them

I find that there are two critical questions that most students ask themselves at the beginning of my music classes. One is, “can I do this?” and the other, “is this going to be worth my time and effort to succeed at?” Many students would rather not try than for it to be seen that … Continue reading Two Questions Every Student Asks and What To Do About Them

What Can You Do With A Free Piano Keyboard App?

For several years, I have wanted a piano lab in my general music classroom for my seventh and eighth grade students. Many of them want to play piano, and with just one acoustic instrument, I just don’t have the resources to teach many of them, and certainly not during a class with only one instrument. … Continue reading What Can You Do With A Free Piano Keyboard App?

The Tension Between Expediency and Rigor

Realizing that the world isn’t perfect, and that music directors sometimes do things they feel they have to do but don’t really want to do, I thought it would be useful to explore the tension that often exists between expedient and rigorous. First, I should define my terms. Expedient is training an ensemble to play … Continue reading The Tension Between Expediency and Rigor

Jaques-Dalcroze and Rhythm Training

Yesterday, I discussed solfege exercises developed by Emile Jaques-Dalcroze. Today I will examine some of his rhythm exercises. Like contemporary scholars, Jaques-Dalcroze found that rhythm and pitch are more easily taught separately than integrated together. Jaques-Dalcroze also believed that because movement, through which rhythm is expressed, is natural to humans, whereas pitch is not, it … Continue reading Jaques-Dalcroze and Rhythm Training