Realizing that the world isn’t perfect, and that music directors sometimes do things they feel they have to do but don’t really want to do, I thought it would be useful to explore the tension that often exists between expedient and rigorous. First, I should define my terms. Expedient is training an ensemble to play … Continue reading The Tension Between Expediency and Rigor
What is literacy? The word is used across all disciplines, including music, yet I find a surprising range of understandings of just what literacy is. Does literacy refer to just reading? Does it include writing? Must someone be an effective communicator orally in order to be considered literate? Is there any requirement for being able … Continue reading What Is Music Literacy?
Teaching may not always be an exact science, but often what children learn is more exact than what we have taught. Let me explain. Suppose I want to teach children about legato using movement. Legato is a term used in both music and dance, so it is especially fitting that I use both to teach … Continue reading When Students Exactly Learn What We Did Not Intend To Teach
The new core arts standards are made in the same form as the Common Core State Standards, and contain similar vocabulary. Because of this, we can plan, give and assess music instruction with Common Core connections already embedded by using the Core Arts Standards as our foundation. The heart of the matter is expressed in … Continue reading Using Core Arts Standards to Teach Students How To Select Repertoire
Today, I want us to think about a question that most of us have either overlooked or taken for granted. I want to explore why we teach people to play musical instruments. This is a deceptively important question, because how we answer it affects everything we do with our instrumental students; it affects what we … Continue reading Why Do We Have Students Play Musical Instruments?
As we saw yesterday with rhythm, language and music are closely related so that training in one strengthens proficiency in the other. Although language and music differ in form, purpose, and use, both are highly syntax-dependent. Neither music nor language makes sense if the sounds heard cannot be cognitively organized, and if meaning cannot be … Continue reading How Do Language and Music Mix in the Music Classroom?