Today, I have two things on my mind. One is that while every child is entitled to a music education, no one is entitled to success; that has to be earned. I am a strong believer in the principle that the less one has to work for something, the less it will be valued. The … Continue reading Teaching Music Reading to Very Young Children
When it comes to choosing a system of syllables to sing for teaching ear training and sight singing, there seems to be a consensus that moveable do, sometimes called functional solfege, is needed for teaching chord and tone functions. To be sure, moving do to wherever the tonic is does help a singer remember where … Continue reading Can Tone and Chord Functions Be Taught With Fixed Do?
Music teachers are often concerned with method. If you go to most music education conferences, you’ll find sessions on the Kodaly Method, the Dalcroze Method, Gordon Music Learning Theory, the Orff Method, Feierabend’s Conversational Solfege, the Suzuki Method, to name a few. Music teaching methods are like Protestant denominations: there are many of them, they … Continue reading Is There Madness in the Method?
The popularity and success of the Kodaly approach to teaching music in schools has resulted in a widespread practice of using songs and chants comprised of a minor third when beginning formal music education with young children. There is much to recommend this practice, including the ease with which a small interval can be sung, … Continue reading What Are The Best Pitch Combinations For Teaching Our Youngest Children Singing?
Last month, I wrote about using fixed do solfege in my music classes (Another Try At Fixed Do). At that time, I reported early success with fifth and second grade students sight singing using the fixed do system. Since then, I have continued to be pleased with the results, and do not at this point … Continue reading Update on my Switch to Fixed Do
Ever since I was an undergraduate, and that was thirty years ago, I've been steadfast in believing that moveable do was the only sensible way to teach sight singing. Fixed do confused me, and having the tonic on different syllables bothered me. In spite of this, I like to think of myself as open minded, … Continue reading Another Try at Fixed Do