Over the last three years, watching NBC produce "live" musical theater, first with The Sound of Music, then Peter Pan, and most recently with The Wiz, it seemed there was something missing from the live aspect of the broadcasts. Live performances of any kind are preferable to recorded ones largely due to the energy an audience brings, and to … Continue reading The Audience is Part of the Performance Experience
Amid a generation of music listeners who have rarely or never experienced live music, the sonically perfect recorded version, the product of many takes and extensive engineering, is the only kind of music they know. Recordings are so perfect that even if one hears performing artists live, they are either incapable of matching their studio … Continue reading Music Is To Be Seen and Heard
Yesterday, I began discussing an article by Pascale. I will begin today with that same article. Although Pascale was writing to individual parents, there are several points we can put to use in our classrooms. Put children in the presence of music. If you can, bring live music into your classrooms. It can be a … Continue reading The Amazing Human Musical Mind, Part 5
Many have considered the problem of how to cause classical music to become more popular, especially with younger audiences. Data indicating a shrinking audience for live concerts, particularly among younger people, have worried arts organizations and educators for some time. It has also been noted that while attendance at live classical concerts has often decreased, … Continue reading How Can Symphony Orchestras Attract Young Audiences?