Today I will continue a discussion I started yesterday about balancing influencers of instruction. In particular, I will examine the balance between student interest and curriculum. Curriculum is heavily influenced by state and federal performance standards. Although these standards are not mandatory, most states have adopted federal music standards, and most school districts have used … Continue reading How Much Should Student Interest Drive Music Instruction?
core arts standards
Poetry and Music: Steps to Composing
Much like a writer of prose, a poet or a composer ought to have an intent in mind when writing a poem or musical work, respectively. The use of language in a poem can be quite expressive, going beyond the literal meaning of prose, and the notes in a musical work are always expressive because … Continue reading Poetry and Music: Steps to Composing
Student Choice in Selecting Repertoire
One of the challenges that often face music teachers is a tension that develops between students playing music they enjoy, and teachers who want their students to play music that facilitates growth in musicianship. Often, this comes down to the teacher wanting the student to play classical music, and the student wanting to play popular … Continue reading Student Choice in Selecting Repertoire
The Exit Ticket for Music
If there's anything that music standards have done to help me improve my teaching over the years, it is to get me beyond singing songs and playing instruments to teaching musical concepts, skills, and processes through singing songs and playing instruments. In other words, standards have taught me that the song is not the objective, it is … Continue reading The Exit Ticket for Music
Using New Learning to Focus and Structure Music Lessons
One of the risks of begin an arts teacher is that my lessons will be perceived as unplanned and lacking in structure. While I always have both plans and structure to every lesson I teach, the highly interactive nature of a music class sometimes gives the illusion that we are only responding to the moment … Continue reading Using New Learning to Focus and Structure Music Lessons
Producing Assessable Student Work in Music Performance
I am all for assessing student singing, but for some time I have struggled to find a way to assess that did not take up an unreasonable amount of time. I have tended to favor informal methods, where I walk up to individual students while they are singing with the rest of the class, listen … Continue reading Producing Assessable Student Work in Music Performance
Responding to Music in the Core Arts Standards and Beyond
Responding to music has been among our music standards from the beginning of the first standards. In its original context, responding was primarily a standard for non-performing students, and was most utilized in music appreciation classes, or listening units in general music sections. As it is now presented in the Core Arts Standards for music, … Continue reading Responding to Music in the Core Arts Standards and Beyond
Two Realms of Childhood
The Core Arts Standards for Music specify standard and/or iconic notation for planning and making musical works, but do not mention using notation of any kind for responding to music. This may be an attempt to keep responding to music accessible to students who have limited music reading skills, but avoids an opportunity to build … Continue reading Two Realms of Childhood
mister a music place 
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